A sequel to Yeong-ja's Heydays follows the career of Yeong-ja’s first love, Chang-su, and his faithful love for her.

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有美（Yu - mi）因丈夫晚上从不回家而心生怨恨，即便在他们的第一个结婚周年纪念日也是如此。她与一个名叫赫（Hyeol）的男人开始了一段婚外情，却没有意识到丈夫发现此事后会发生什么。

Mr. Chang's life changes dramatically when his home disappears from the face of the Earth. On the quest to find his home, he has to rethink his identity and existence.

When Siu Yee, a young Chinese immigrant, is hired at Mrs Chang’s foot massage parlour, she learns that success in her new country will require a perverse sacrifice in this surreal horror short.

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A former French war photographer who is traumatized by the loss of her team during her last mission and sets off to rebuild her life in a region of Southeast Asia known as the Golden triangle.

The movie narrates the story of Sudhi from age 4 to 40 who has a stuttering problem.

Ghya-chang-fou literally means 'suddenly beheading' in Bengali. it features thirteen unnamed people gathering in a mansion filled with archaic objects to celebrate what appears to be a communist revolution. Nothing seems real, roads open up to improbable places, places lead to impossible elevators, elevators lift people to unconvincing roads. Bacchanalian spirit steadily overtakes the initial deadpan seriousness. The encore of celebration sounds delusionary as the drunken conversation about communism, about its methods and means, about it intricate turns through history degenerates to bourgeois nonsense and decadence leading to absurd rifts, comic conflicts, unleashed orgies and debauchery.

Ghya Chang Fou is a dark political satire which identifies itself as an alternative underground film. The film has been made without any support from the mainstream industry and thus in many ways it belongs to the domain of independent film making practice. The film depicts unabashed sex, violence, BDSM acts, extreme political views and incest. The film consciously avoids the glossy look. Instead, it explores with raw and dark images which adds novelty to the film. Ghya-chang-fou literally means 'suddenly beheading' in Bengali. it features thirteen unnamed people gathering in a mansion filled with archaic objects to celebrate what appears to be a communist revolution. Nothing seems real, roads open up to improbable places, places lead to impossible elevators, elevators lift people to unconvincing roads. Bacchanalian spirit steadily overtakes the initial deadpan seriousness.